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From his home in Berlin, Mugler called his longtime muse, the 89-year-old Hedren, who took a break from looking after the lions at her big cat sanctuary in Acton, California, to chat.ī. After several accidents that left him in need of facial reconstructive surgery, the 70-year-old designer decided to take these potential tragic circumstances and “make this fun.” With the help of body-building, a strict nutritional regimen, and a scalpel, his 240-pound frame reflects how he feels inside. In the intervening time, Mugler has closed his couture house and undergone a personal transformation as radical as his designs. The couture show featured a parade of pan-generational supermodels-Jerry Hall, Veruschka, Naomi Campbell, and Kate Moss among them-along with go-go dancers, a striptease by Patty Hearst, a performance by James Brown, and an appearance by Tippi Hedren, who walked the runway in an avian black satin dress inspired by her leading role in Alfred Hitchcock’s The Birds.Įarlier this year, a look from that show, a gown inspired by Botticelli’s The Birth of Venus, was brought back into the cultural conversation when Cardi B wore it at the Grammys. But his most sublime spectacle came in 1995, at the Cirque d’Hiver in Paris for the 20th anniversary of his namesake line.
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Mugler’s bold and futuristic creations in the 1980s were marked by cut-outs and sharp shoulders, creating silhouettes that were sometimes erotic, sometimes grotesque, often both. From his early days as a dancer with the Ballet du Rhin, he has viewed the human body as an instrument for artistic excellence-just one piece of the immersive, operatic puzzle he has now been constructing for more than four decades. Thierry Mugler has never really thought of himself as a fashion designer.